The race begins opposite South Coast Plaza at Anton and Bristol streets in Costa Mesa. The Los Angeles Lakers star hosts his sixth fund-raising event for children's. Will compete with a veteran U.S. Team in this internationally growing sport. Olympic-level horses and riders from across the country vie for a title at this.
Built 1874; 144 years ago ( 1874) NRHP reference # Significant dates Added to NRHP June 24, 1976 Designated NYCL August 24, 1967 The American Museum of Natural History (abbreviated as AMNH), located on the of, is one of the largest in the world. Located in Theodore Roosevelt Park across the street from, the museum complex comprises 28 interconnected buildings housing 45 permanent exhibition halls, in addition to a planetarium and a library. The museum collections contain over 33 million specimens of plants, animals, fossils, minerals, rocks, meteorites, human remains, and human, of which only a small fraction can be displayed at any given time, and occupies more than 2 million square feet (0.19 × 10 ^ 6 m 2).
The museum has a full-time scientific staff of 225, sponsors over 120 special field expeditions each year, and averages about five million visits annually. The one mission statement of the American Museum of Natural History is: 'To discover, interpret, and disseminate—through scientific research and education—knowledge about human cultures, the natural world, and the universe.' The American Museum of Natural History was housed in the Arsenal from 1869 until 1877, when the first building on the AMNH grounds opened.
Before construction of the present complex, the museum was housed in the in., the father of, was one of the founders along with John David Wolfe, Robert Colgate, Benjamin H. Jackson Steward, Benjamin B.
Sherman, William A. Haines, Henry Parish,. The founding of the museum realized the dream of naturalist Dr. Bickmore, a one-time student of, lobbied tirelessly for years for the establishment of a natural history museum in New York. His proposal, backed by his powerful sponsors, won the support of the, who signed a bill officially creating the American Museum of Natural History on April 6, 1869.
Construction. This building was completed by the end of the 19th century. The buildings beside this one would be complete in the early 20th century. Currently, this building houses (first floor to fourth floor) the Grand Gallery, Primates,. The original building was soon eclipsed by the south range of the museum, designed by, an exercise in rusticated brownstone, influenced.
It extends 700 feet (210 m) along West 77th Street, with corner towers 150 feet (46 m) tall. Its pink brownstone and granite, similar to that found at in the, came from quarries at Picton Island, New York.
The entrance on, the New York State Memorial to Theodore Roosevelt, completed by in 1936, is an overscaled monument. It leads to a vast Roman basilica, where visitors are greeted with a cast of a skeleton of a rearing defending her young from an. The museum is also accessible through its 77th street foyer, renamed the 'Grand Gallery' and featuring a fully suspended canoe. The hall leads into the oldest extant exhibit in the museum, the hall of. Akeley Hall Named after taxidermist, the Akeley Hall of African Mammals is a two-story hall located directly behind the Theodore Roosevelt rotunda. Its 28 dioramas depict in meticulous detail the great range of ecosystems found in Africa and the mammals endemic to them.
The centerpiece of the hall is a pack of eight in a characteristic 'alarmed' formation. Though the mammals are typically the main feature in the dioramas, birds and flora of the regions are occasionally featured as well. In the 80 years since Akeley Hall’s creation, many of the species within have become endangered, some critically, and the locations deforested. Despite this, none of the species are yet extinct, in part thanks to the work of Carl Akeley himself (see ). The hall connects to the Hall of African Peoples. History The Hall of African Mammals was first proposed to the museum by around 1909.
His original concept contained forty dioramas which would present the rapidly vanishing landscapes and animals of Africa. The intent was that a visitor of the hall, “may have the illusion, at worst, of passing a series of pictures of primeval Africa, and at best, may think for a moment that he has stepped five thousand miles (8,000 km) across the sea into Africa itself.” Akeley’s proposal was a hit with both the board of trustees and then museum president,. To fund its creation, Daniel Pomeroy, a trustee of the museum and partner at J.P. Morgan, offered interested investors the opportunity to accompany the museum’s expeditions in Africa in exchange for funding.
Mounts specimens for the 'Lions' diorama Akeley began collecting specimens for the hall as early as 1909, famously encountering in the midst of the (two of the elephants featured in the museum’s center piece were donated by Roosevelt, a cow, shot by Roosevelt himself, and a calf, shot by his son Kermit). On these early expeditions, Akeley would be accompanied by his former apprentice in taxidermy, and artist,. When Akeley returned to Africa to collect gorillas for the hall’s first diorama, Clark remained behind and began scouring the country for artists to create the backgrounds. The eventual appearance of the first habitat groups would have a huge impact on the museum.
Akeley and Clark’s skillful taxidermy paired with the backgrounds painted under Leigh’s direction created an illusion of life in these animals that made the museum’s other exhibits seem dull in comparison (the museum’s original style of exhibition can still be seen in the small area devoted to birds and animals of New York). Plans for other diorama halls quickly emerged and by 1929 Birds of the World, the Hall of North American Mammals, the Vernay Hall of Southeast Asian Mammals, and the Hall of Oceanic Life were all in stages of planning or construction. The 'Plains' diorama in Akeley Hall After Akeley’s unexpected death during the Eastman-Pommeroy expedition in 1926, responsibility of the hall’s completion fell to James L.
Despite being hampered by the onset of the Great Depression in 1929, Clark’s passion for Africa and his dedication to his former mentor kept the project alive. In 1933, Clark would hire architectural artist James Perry Wilson to assist Leigh in the painting of backgrounds. More technically minded than Leigh, Wilson would make many improvements on Leigh’s techniques, including a range of methods to minimize the distortion caused by the dioramas’ curved walls.
Gorilla diorama in Akeley Hall of African Mammals In 1936, a wealthy board member with a desire to see Africa, offered to fund several dioramas if allowed to obtain the specimens himself. Clark agreed to this arrangement and shortly after Campbell left to collect the okapi and black rhinoceros specimens accompanied by artist Robert Kane. Campbell would be involved, in one capacity or another, with several other subsequent expeditions. Despite setbacks including malaria, flooding, foreign government interference, and even a boat sinking, these expeditions would succeed in acquiring some of Akeley Hall’s most impressive specimens. Back in the museum, Kane would join Leigh and Wilson, along with a handful of other artists in completing the hall’s remaining dioramas.
Though construction of the hall was completed in 1936, the dioramas would gradually open between the mid-1920s and early 1940s. Species and locations represented in Akeley Hall - -(listed as white-mantled colobus) - (listed as Rainey's gazelle) (Lukenya Hills) (listed as ) - - (Gulave) Hall of Asian Mammals. Vernay-Faunthorpe Hall of Asian Mammals The Hall of Asian Mammals, sometimes referred to as the Vernay-Faunthorpe Hall of Asian Mammals, is a one-story hall located directly to the left of the Theodore Roosevelt Rotunda. It contains 8 complete dioramas, 4 partial dioramas, and 6 habitat groups of mammals and locations from,. The hall opened in 1930 and, similar to Akeley Hall, is centered around 2.
At one point, a and were also part of the Hall's collection, originally intended to be part of an adjoining Hall of North Asian Mammals (planned in the current location of Stout Hall of Asian Peoples). These specimens can currently be seen in the Hall of Biodiversity. History Specimens for the Hall of Asian Mammals were collected over six expeditions led by and Col. (as noted by stylized plaques at both entrances).
The expeditions were funded entirely by Vernay, a wealthy, British-born, New York antiques dealer. He characterized the expense as a British tribute to American involvement in World War I.
The Indian rhinoceros diorama at Vernay-Faunthorpe Hall The first Vernay-Faunthorpe expedition took place in 1922. At the time, many of the animals Vernay was seeking, such as the and, were already rare and facing the possibility of extinction. To acquire these specimens, Vernay would have to make many appeals to regional authorities in order to obtain hunting permits. The relations he would forge during this time would assist later museum related expeditions headed by Vernay in gaining access to areas previously restricted to foreign visitors. Artist Clarence C. Rosenkranz accompanied the Vernay-Faunthorpe expeditions as field artist and would later paint the majority of the diorama backgrounds in the hall. These expeditions were also well documented in both photo and video, with enough footage of the first expedition to create a feature-length film, Hunting Tigers in India (1929).
Species and Locations Represented in the Hall of Asian Mammals - - Sambar (listed as wild dog) (, listed as Kallegal Range) (Base of the ) Habitat groups New World mammals. Doing an clay model, 1972 The Hall of North American Mammals opened in 1942 with only ten dioramas, including those of the larger North American mammals. In 1948, the wolf diorama was installed, but further progress on the hall was halted as World War II broke out. After the war the hall ceased completion in 1954. Since that time, the hall had remained the much the same and the majority of the mounts were weathering and bleaching.
A massive restoration project began in late 2011 due to a large donation from Jill and Lewis Bernard. Taxidermists were brought in to clean the mounts and skins and artists restored the diorama backdrops. In October 2012 the hall was reopened as the Bernard Hall of North American Mammals and included scientifically-updated signage for each diorama. Hall of Small Mammals The Hall of Small Mammals is an offshoot of the Bernard Family Hall of North American Mammals. There are several small dioramas featuring small mammals found throughout North America, including, and a. Species and Locations Represented in the Hall of North American Mammals mammals of Alaska Ice age mammals of California Canoe Bay, Alaska, Wyoming, Wyoming, Canada, Alaska Near, Near, Lake Gunflint, Northern, California, New York Hoister Creek, Alaska, Canada Osborn Alaska Grant caribou− Species and Locations Represented in the Hall of Small Mammals, Texas, Canada Birds, reptiles, and amphibian halls Sanford Hall of North American Birds. The Cuthbert Rookery Diorama contains many of the birds once endangered by plume hunting The Sanford Hall of North American birds is a one-story hall located on the third floor of the museum, above the Hall of African Peoples and between the Hall of Primates and Akeley Hall’s second level.
Its 25 dioramas depict birds from across North America in their native habitats. Opening in 1909, the dioramas in Sanford Hall were the first to be exhibited in the museum and are, at present, the oldest still on display. At the far end of the hall are two large murals by ornithologist and artist,. In addition to the species listed below, the hall also has display cases devoted to large collections of,. Diorama, c.1901 Although Chapman was not the first to create museum dioramas, he was responsible for many of the innovations that would separate and eventually define the dioramas in the American Museum. Whereas other dioramas of the time period typically featured generic scenery, Chapman was the first to bring artists into the field with him in the hopes of capturing a specific location at a specific time.
In contrast to the dramatic scenes later created by Carl Akeley for the African Hall, Chapman wanted his dioramas to evoke a scientific realism, ultimately serving as a historical record of habitats and species facing a high probability of extinction. At the time of Sanford Hall's construction, plume-hunting for the trade had brought many coastal bird species to the brink of extinction, most notably the. Frank Chapman was a key figure in the conservation movement that emerged during this time. His dioramas were created with the intention of furthering this conservationist cause, giving museum visitors a brief glimpse at the dwindling bird species being lost in the name of fashion.
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Thanks in part to Chapman's efforts, both inside and outside of the museum, conservation of these bird species would be very successful, establishing refuges, such as, and eventually leading to the. Species and locations represented in Sanford Hall ”Eastern Upland Gamebirds” ”Booming grounds”, “Western Gamebirds”, ”Marsh Ducks in Spring” “Sea Ducks in Winter” (oldsquaw), 'Desert Birds' Crane Lake, Cay Verde, Unidentified marsh, Undisclosed Location Hall of Birds of the World The global diversity of bird species is exhibited in this hall. 12 dioramas showcase various ecosystems around the world and provide a sample of the varieties of birds that live there. Example dioramas include featuring and, the East African plains featuring and, and the Australian outback featuring,. Whitney Memorial Hall of Oceanic Birds This particular hall has undergone a complicated history over the years since its founding in 1953. Frank Chapman and Leonard C. Sanford, originally museum volunteers, had gone forward with creation of a hall to feature birds of the.
In the years up to its founding, the museum had engaged in various expeditions to, and (among other locations) to collect birds for the exhibit. The hall was designed as a completely immersive collection of dioramas, including a circular display featuring. In 1998, The Butterfly Conservatory was installed inside the hall originally as a temporary exhibit, but as the popular demand of the exhibit increased, the Hall of Oceanic Birds has more or less remained closed by the museum. Hall of Reptiles and Amphibians The Hall of Reptiles and Amphibians serves as an introduction to, with many exhibits detailing reptile evolution, anatomy, diversity, reproduction, and behavior. Notable exhibits include a group, an, the last,.
Biodiversity and environmental halls Hall of North American Forests. The Mixed Deciduous Forest diorama The Hall of North American Forests is a one-story hall located on the museum’s ground floor in between the Theodore Roosevelt Memorial Hall and the Warburg Hall of New York State Environments. It contains ten dioramas depicting a range of forest types from across North America as well as several displays on forest conservation and tree health. Constructed under the guidance of noted botanist Henry K.
Svenson (who also oversaw Warburg Hall’s creation) and opened in 1959, each diorama specifically lists both the location and exact time of year depicted. Trees and plants featured in the dioramas are constructed of a combination of art supplies and actual bark and other specimens collected in the field.
The entrance to the hall features a cross section from a 1,400-year-old taken from the King's River grove on the west flank of the in 1891. 'Spring' display in Warburg Hall Warburg Hall of New York State Environments is a one-story hall located on the museum’s ground floor in between the Hall of North American Forests and the Grand Hall. Based on the town of and near-by in, the hall gives a multi-faceted presentation of the eco-systems typical of New York. Aspects covered include soil types, seasonal changes, and the impact of both humans and nonhuman animals on the environment.
It is named for the German-American philanthropist,. Originally known as the 'Hall of Man and Nature', Warburg Hall opened in 1951.
It has changed little since and is now frequently regarded for its retro-modern styling. The hall shares many of the exhibit types featured throughout the museum as well as one display type, unique to Warburg, which features a recessed miniature diorama behind a foreground of species and specimens from the environment depicted. Milstein Hall of Ocean Life. Diorama depicting methods of The Hall of African Peoples is located behind Akeley Hall of African Mammals and underneath Sanford Hall of North American Birds. It is organized by the four major ecosystems found in: River Valley, Grasslands, Forest-,. Each section presents artifacts and exhibits of the peoples native to the ecosystems throughout Africa.
The hall contains three dioramas and notable exhibits include a large collection of spiritual costumes on display in the Forest-Woodland section. Uniting the sections of the hall is a multi-faceted comparison of African societies based on,. Each type of society is presented in a historical, political, spiritual, and ecological context. A small section of spread by the slave trade is also included. Below is a brief list of some of the tribes and civilizations featured. Kwakwaka'wakw House Posts The Hall of Northwest Coast Indians is a one-story hall located on the museum's ground floor behind the Grand Gallery and in between Warburg and Spitzer Halls. Opened in 1900 under the name 'Jesup North Pacific Hall', it is currently the oldest exhibition hall in the museum, though it has undergone many renovations in its history.The hall contains artifacts and exhibits of the tribes of the North Pacific Coast cultural region (Southern Alaska, Northern Washington, and a portion of British Columbia).
Featured prominently in the hall are four 'House Posts' from the nation and murals by William S. Taylor depicting native life.
History Artifacts in the hall originated from three main sources. The earliest of these was a gift of artifacts (including the now famous Haida canoe of the Grand Gallery) collected by and donated by Herbert Bishop in 1882. This was followed by the museum’s purchase of two collections of artifacts collected by Lt. In 1888 and 1894. Nuxalk Masks The remainder of the hall’s artifacts were collected during the famed between 1897 and 1902. Led by influential anthropologist and financed by museum president, the expedition was the first for the museum’s Division of Anthropology and is now considered the, “foremost expedition in American anthropology”. Many famous ethnologists took part, including, who secured the Kwakwaka’wakw House Posts that currently stand in the hall.
At the time of its opening, the Hall of Northwest Coast Indians was one of four halls dedicated to the native peoples of United States and Canada. It was originally organized in two sections, the first being a general area pertaining to all peoples of the region and the second a specialized area divided by tribe. This was a point of contention for Boas who wanted all artifacts in the hall to be associated with the proper tribe (much like it is currently organized), eventually leading to the dissolution of Boas’ relationship with the museum. Other tribes featured in the hall include:, (listed as Nootka), and (listed as Bella Coola) Hall of Plains Indians. Main article: The Hall of Human Origins, formerly The Hall of Human Biology and Evolution, opened on February 10, 2007. Originally known under the name 'Hall of the Age of Man', at the time of its original opening in 1921 it was the only major exhibition in the United States to present an in-depth investigation of human evolution.
The displays traced the story of, illuminated the path of human evolution and examined the origins of human creativity. Many of the celebrated displays from the original hall can still be viewed in the present expanded format. These include life-size dioramas of our human predecessors, and, showing each species demonstrating the behaviors and capabilities that scientists believe they were capable of. Also displayed are full-sized casts of important fossils, including the 3.2-million-year-old skeleton and the 1.7-million-year-old, and specimens including a cast of.
The hall also features replicas of art found in the region of southwestern. The carvings of horses were made nearly 26,000 years ago and are considered to represent some of the earliest artistic expression of humans. Earth and planetary science halls Arthur Ross Hall of Meteorites. The Hall of Meteorites contains some of the finest specimens in the world including, a section of the 200 ton which was found at the location of the same name in. The meteorite's great weight—at 34 tons, it is the largest meteorite on display at any museum in the world —requires support by columns that extend through the floor and into the bedrock below the museum. The hall also contains extra-solar (diamonds with dimensions on the level) more than 5 billion years old. These were extracted from a meteorite sample through chemical means, and they are so small that a quadrillion of these fit into a volume smaller than a cubic centimeter.
Main article: The Hall of Minerals houses hundreds of unusual geological specimens. It adjoins the Morgan Memorial Hall of showcasing many rare, and valuable gemstones. The exhibit was designed by the architectural firm of Wm. Pedersen and Assoc. With Fred Bookhardt in charge.
Vincent Manson was the curator of the Mineralogy Department. The exhibit took six years to design and build, 1970–1976. The New York Times architectural critic, Paul Goldberger, said, 'It is one of the finest museum installations that New York City or any city has seen in many years'. On display are many renowned samples that are chosen from among the museum's more than 100,000 pieces.
Included among these are the Patricia Emerald, a 632 (126 g), 12 sided stone. It was discovered during the 1920s in a high in the and was named for the mine-owner's daughter. The Patricia is one of the few large gem-quality emeralds that remains uncut. Also on display is the 563 carat (113 g), the largest, and most famous, star sapphire in the world. It was discovered over 300 years ago inmost likely in the sands of ancient river beds from where continue to be found today. It was donated to the museum by the financier J.P. The thin, radiant, six pointed star, or, is created by incoming light that reflects from needle-like crystals of the mineral which are found within the sapphire.
The Star of India is polished into the shape of a, or dome, to enhance the star's beauty. Among other notable specimens on display are a 596-pound (270 kg), a 4.5 ton specimen of blue / ore that was found in the in at the start of the 20th century; and a rare, 100 carat (20 g) orange-colored padparadschan sapphire from Sri Lanka, considered 'the mother of all pads.' The collection also includes the Midnight Star, a 116.75-carat deep purplish-red, which was from Sri Lanka and was also donated by J.P.
Morgan to the AMNH, like the Star of India. It was also donated to AMNH the same year the Star of India was donated to the AMNH, 1901. On October 29, 1964, the Star of India, along with the Midnight Star, the, and the were all stolen from the museum. The burglars, and his two accomplices, Allen Dale Kuhn and Roger Frederick Clark, gained entrance by climbing through a bathroom window they had unlocked hours before the museum was closed.
The Midnight Star and the DeLong Star Ruby were later recovered in. A few weeks later, also in Miami, the Star of India was recovered from a locker in a bus station, but the Eagle Diamond was never found; it may have been recut or lost. Murphy, Kuhn, and Clark were all caught later on and were all sentenced to three years in jail, and they all were granted parole.
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Geode David S. Gottesman Hall of Planet Earth The Hall of Planet Earth is a permanent hall devoted to the history of Earth, from to the and contemporary on the planet. Several sections also discuss the studies of Earth systems, including,. The exhibit is famous for its large, touchable rock specimens. The hall features striking samples of and, as well as, and three. The north section of the hall, which deals primarily with, is arranged to mimic the, with the and at the center and on the perimeter. Fossil halls.
Fossil skeletons. The many outstanding fossils on display include, among others:.: Composed almost entirely of real fossil bones, it is mounted in a horizontal stalking pose beautifully balanced on powerful legs.
The specimen is actually composed of fossil bones from two T. Rex skeletons discovered in in 1902 and 1908 by famous dinosaur hunter.: Larger than its relative the, these fossils are from an animal that lived 11,000 years ago in. or: This giant specimen was discovered at the end of the 19th century.
Although most of its fossil bones are original, the skull is not, since none was found on site. It was only many years later that the first Apatosaurus skull was discovered, and so a plaster cast of that skull was made and placed on the museum's mount.
A skull had been used mistakenly until a correct skull was found. It is not entirely certain whether this specimen is a Brontosaurus or an Apatosaurus, and therefore it is considered an 'unidentified ', as it could also potentially be an or specimen.: Extinct mammal distantly related to the. It lived 35 million years ago in what is now. It is noted for its magnificent and unusual pair of horns. A skeleton of, a large dinosaur. The specimen is an example of a 'mummified' dinosaur fossil in which the soft tissue and skin impressions were imbedded in the surrounding rock.
The specimen is mounted as it was found, lying on its side with its legs drawn up and head drawn backwards. On September 26, 2007, an 80-million-year-old, 2-foot (61 cm) diameter fossil of an, which is composed entirely of the gemstone, made its debut at the museum. Neil Landman, curator of fossil, explained that ammonites (shelled in the subclass Ammonoidea) became extinct, in the same that killed the dinosaurs. Donated the fossil after its discovery in. One skeleton of an scavenging from an corpse.
The only known skull of. A and a are also both on display, among many other specimens. Besides the fossils in museum display, many specimens are stored in the collections available for scientists. Those include important specimens such as complete skull, tyrannosaurid teeth, vertebrae, and many.
Rose Center for Earth and Space. Main article: The, connected to the museum, is now part of the, housed in a glass cube containing the spherical Space Theater, designed. The is one of the most popular exhibits in the Rose Center, which opened February 19, 2000. The original Hayden Planetarium was founded in 1933 with a donation by philanthropist. Opened in 1935, it was demolished and replaced in 2000 by the $210 million Frederick Phineas and Sandra Priest Rose Center for Earth and Space.
Designed by James Stewart Polshek, the new building consists of a six-story high glass cube enclosing a 87-foot (27 m) illuminated sphere that appears to float—although it is actually supported by truss work. James Polshek has referred to his work as a 'cosmic cathedral'. The Rose Center and its adjacent plaza, both located on the north facade of the museum, are regarded as some of Manhattan's most outstanding recent architectural additions. The facility encloses 333,500 square feet (30,980 m 2) of research, education, and exhibition space as well as the Hayden planetarium. Also located in the facility is the Department of, the newest academic research department in the museum.
Is the director of the Hayden Planetarium. Further, Polshek designed the 1,800-square-foot (170 m 2) Weston Pavilion, a 43-foot (13 m) high transparent structure of 'water white' glass along the museum's west facade. This structure, a small companion piece to the Rose Center, offers a new entry way to the museum as well as opening further exhibition space for astronomically related objects. The planetarium's former magazine, The Sky, merged with 'The Telescope', to become the astronomy magazine. Provided the voice-over for the first planetarium show during the opening of the new Rose Center for Earth & Space in the Hayden Planetarium in 2000. Since then such celebrities as, and have been featured. Exhibitions Lab.
Main article: Founded in 1869, the AMNH Exhibitions Lab has since produced thousands of installations. The department is notable for its integration of new scientific research into immersive art and multimedia presentations. In addition to the famous dioramas at its home museum and the, the lab has also produced international exhibitions and software such as the.
The exhibitions team currently consists of over sixty artists, writers, preparators, designers and programmers. The department is responsible for the creation of two to three exhibits per year. These extensive shows typically travel nationally to sister. They have produced, among others, the first exhibits to discuss, and the via. Research Library The Research Library is open to staff and public visitors, and is located on the fourth floor of the museum. The Library collects materials covering such subjects as, and, and, entomology, paleontology, ornithology, conchology, exploration and travel, and peripheral.
The collection is rich in retrospective materials — some going back to the 15th century — that are difficult to find elsewhere. History In its early years, the Library expanded its collection mostly through such gifts as the John C. Jay library, the library on fishes and general zoology, the ornithological library of, the library, the collection of voyages and travel and the collection. In 1903 the deposited its library in the museum and in 1905 the followed suit by transferring its collection of 10,000 volumes. Today, the Library's collections contain over 550,000 volumes of, and original illustrations, as well as film, photographic, archives and manuscripts, fine art, memorabilia and rare book collections.
The new Library was designed by the firm in 1992. The space is 55,000-sq ft and includes five different 'conservation zones', ranging from the 50-person reading room and public offices, to temperature and humidity controlled rooms. Special collections. Institutional Archives, Manuscripts, and Personal Papers: Includes archival documents, field notebooks, clippings and other documents relating to the museum, its scientists and staff, scientific expeditions and research, museum exhibitions, education, and general administration. Art and Memorabilia Collection. Moving Image Collection.
Vertical Files: Relating to exhibitions, expeditions, and museum operations. Activities offered Research activities. A that uniquely identifies a specimen in the museum's entomology collection. The museum has a scientific staff of more than 225, and sponsors over 120 special field expeditions each year. Many of the fossils on display represent unique and historic pieces that were collected during the museum's golden era of worldwide expeditions (1880s to 1930s). Examples of some of these expeditions, financed in whole or part by the AMNH are:, the, the, the, and the expeditions to Madagascar and New Guinea.
On a smaller scale, expeditions continue into the present. The museum also publishes several peer-reviewed journals, including the. In 1976, animal rights activist led a campaign against vivisection on cats that the American Museum of Natural History had been conducting for 20 years, intended to research the impact of certain types of mutilation on the sex lives of cats. The museum halted the research in 1977.
Educational outreach AMNH's education programs include outreach to schools in by the. Additionally, the Museum itself offers a wide variety of educational programs, camps, and classes for students from pre-K to post-graduate levels. Notably, the Museum sponsors the Lang Science Program, a comprehensive 5th-12th grade research and science education program, and the Science Research Mentorship Program (SRMP), among the most prestigious paid internships in NYC, in which pairs of students conduct a full year of intensive original research with an AMNH scientist. Richard Gilder Graduate School The AMNH offers a Master of Arts in Science Teaching and a PhD in. On October 23, 2006, the museum launched the Richard Gilder Graduate School, which offers a PhD in Comparative Biology, becoming the first American museum in the United States to award doctoral degrees in its own name. Accredited in 2009, in 2011 the graduate school had 11 students enrolled, who work closely with curators and they have access to the collections.
The first seven graduates to complete the program were awarded their degrees on September 30, 2013. The dean of the graduate school is AMNH paleontologist, and the namesake and major benefactor is. Surroundings The museum is located at 79th Street and Central Park West, accessible via the and trains of the. There is a low-level floor direct access into the museum via the subway station on the at the south end of the upper platform (where uptown trains arrive). On a pedestal outside the museum's entrance is a stainless steel, which was created after a design competition that was won. The capsule was sealed at the beginning of 2000, to mark the beginning of the 3rd millennium.
It takes the form of a folded saddle-shaped volume, symmetrical on multiple axes, that explores formal properties of folded spherical frames. Calatrava described it as 'a flower'. The plan is that the capsule will be opened in the year 3000. The museum is situated in a 17-acre (69,000 m 2) city park known as 'Theodore Roosevelt Park'. The park extends from Central Park West to Columbus Avenue, and from West 77th Street to West 81st Street.
Theodore Roosevelt Park contains park benches, gardens and lawns, and also a. In popular culture. The Theodore Roosevelt Rotunda is the main ticketing lobby Literature.
In 's novel, the protagonist at one point finds himself heading towards the museum, reflecting on past visits and remarking that what he likes is the permanence of the exhibits there. The museum was the setting for the 1970 novel by, but was not featured in the film adaptation, which was set in the in, England. The novel Funny Bananas: The Mystery in the Museum, by Georgess McHargue (1975), features the museum. The novel Ritual, by (1989), features the museum. The novel, by (1994), features the museum. As the 'New York Museum of Natural History', the museum is a favorite setting in many and novels, including (1995), (1997), (2002), and (2007). FBI Special Agent plays a major role in all of these thrillers.
Preston was manager of publications at the museum before embarking upon his fiction writing career. The novel The Bone Vault, by (2003), features the museum. The museum has appeared repeatedly in the fiction of author, including appearances in her fifth novel, her work on the DC/Vertigo comic book (#47, 'Trinket'), and many of her short stories, including 'Valentia' and 'Onion' (both collected in, 2005). In 's, acts as a tour guide for visiting aliens. His first assignment is the Saurian Regenta Seri and her Styracodon bodyguards who wish to see the museum, specifically the dinosaur exhibit. The novel Wood Sprites, by (2014), features the museum. Film.
Scenes from the horror film and the biographic film were filmed in the Akeley Hall of African Mammals. The museum in the film (2006) is based on a 1993 book that was set at the AMNH ( ). The interior scenes were shot at a in, but exterior shots of the museum's were done at the actual AMNH. AMNH officials have credited the movie with increasing the number of visitors during the holiday season in 2006 by almost 20 percent. According to museum president Ellen Futter, there were 50,000 more visits over the previous year during the 2006 holiday season. Its sequels, (2009) and (2014), were also partially set in this museum. The 2005 movie takes its name from the diorama of the giant squid and the sperm whale in the museum's Hall of Ocean Life.
The diorama is shown in the film's final scene. The exterior of AMNH was used in a benefit party scene in the film (2006). The AMNH is featured in the film. Fievel Mousekewitz and Tony Toponi go to the AMNH to meet Dr.
Dithering to decipher a treasure map they have found in an. An early scene of Howard Hawke's film, is set in the museum. An ending for the film shows all four dinosaurs finally reaching the AMNH. A large portion of the 2017 film takes place in the museum, showing the museum in 1927 as well as 1977. The 1914 popular silent cartoon, was set in the Museum.
Television. In 2009, the museum hosted the live finale of the second season of. On early seasons of, works at the museum. The museum is featured in the episode, although it is renamed the Natural History Museum. An episode of, titled 'Natural History', is set in the museum.
In a second-season episode of titled 'Destructive Testing', fights in the museum. In many episodes of the on, Joe, Sam, and Fred are in the museum; in one episode they see it 90 years into the future. In the episode, both the Quickfire Challenge and Elimination Challenge required the cheftestants to cook at the American Museum of Natural History. The museum has made many appearances in. Video games. The AMNH is featured in the video game where it is known as the Liberty State Natural History Museum. The AMNH appears as a Resistance-controlled building in the game.
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